Having a harp on our coins only really matters if we give meaning to that symbolism, writes Toner Quinn.
In the summer of 2014, I returned from three days at An Chúirt Chruitireachta, the Irish harp school that has taken place in Termonfeckin, Co. Louth, for thirty years. That evening, I happened upon a discussion on RTÉ 1’s Primetime about the Irish Government’s then budgetary plans.
It wasn’t long before I began to notice the large image intermittently flashing up on the television screen behind the discussion. It is an image that in Ireland we have become so used to that it is sometimes almost invisible to us, and yet there it was, at the heart of our national affairs, its presence a perennial reminder of the depth of Irish musical expression, and it is still reaching out to us one thousand years on. Continue reading