From Polka to Polska: Olov Johansson, Tom Morrow, Gerry O’Beirne and Conor Byrne

I am looking at another wretched economic chart in the newspaper, a numerical history of the Celtic Tiger, full of nine-zero figures, rises and falls, if onlys, told you sos and excuses, when my eye reaches the summer of 2006. What an intense period that was, the graph line almost hitting the top of the chart. After that, things aren’t so spectacular. Never mind. Here’s something more interesting than economics: did you know that around 2006 there Continue reading

Crossing the Shannon: Muireann Nic Amhlaoibh, John Wynne, John McEvoy and John Blake

How often do we consider the significance of crossing Ireland’s longest river? For centuries, the Shannon was a divider in this country, separating Connacht from the rest of Ireland, and often key to its defence. Now the water’s impact is concealed, a ten-second flash of blue expanse as you travel across it on the motorway. The Shannon’s Continue reading

The Living Stream: Matt Cranitch, Jackie Daly and John Faulkner

It is the spring of 1996, mid-morning. Standing in the kitchen of my apartment, the kettle is boiling. As it gradually quietens and slows to its ‘click’, a track of violin and piano comes into aural focus. I had put on Matt Cranitch’s 1984 LP, Éistigh Seal,as I left the sitting room, and overwhelmed by the sound of boiling water, it was half-way through the opening air, ‘An raibh tú ag an gcarraig?’ (‘Were you at the rock?’), before I could hear it. I’d listened to it before of course, but some of the most magical recordings are often like new neighbours. You see them often, but never really connect. Then one day, for whatever reason, you engage with them, and you wonder why you never did Continue reading

A Portrait of the Artist as a Young Entrepreneur

Funding for the arts is essential, but without the right approach it can blunt artists’ entrepreneurial skills.

Mary is an artist and she has an idea. Something big. An arts venture that could make a real splash, nationally, internationally, the lot. It could also earn her money. Serious money. She would be her own boss. She would employ and inspire artists, connect them with new audiences, and really make a difference. She won’t let anyone stop her. Her heart is beating with excitement. She is going to do it before anyone else does. Just you wait.

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Expectation Changes Everything

In the Irish-speaking areas of Ireland, visitors are sometimes frustrated because they speak Irish to locals and are responded to in English. It doesn’t take long for them to give up altogether, deciding that the language is actually truly dead in the area.

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What about England?

I am supporting England in the World Cup this summer. As an Irishman, that is easier to write than it will be to act upon. There is history, and the Irish are traditionally sensitive to the English imperiousness that tends to appear on football occasions. But I want to think about our two islands differently. England is our close, island-dwelling neighbour. In the new peacetime that has been created, can the Irish learn to love it? Sporting and cultural events may offer us that chance.

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Futures Entwined

The direct impact the new digital culture is having on music, in terms of access, dissemination and copyright, is well documented, but the indirect impact less so. If digital platforms will transform the status of public broadcasters in our society and the services they provide, what about the resulting impact on music?

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A Few Days in the Sun?

The Rise and Fall of the Irish New Music Scene

I was at the very heart of the city. The postal code of my office was ‘Dublin 1’. From my office window, I could eventually glimpse the Spire of Dublin, the 120-metre, shimmering, pin-like monument which I watched being erected in 2003. The site of the Spire was traditionally regarded as the exact centre of Dublin City.

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Tell Us Another

‘I mbliana ní raibh aon urraíocht ar fáil faraor, leis an tseachtain ealaíne is oidhreachta a reachtáil mar a bhíonns againn go hiondúil.’ Or, in English: ‘Unfortunately, no sponsorship was available this year to organise the arts and heritage week as usual.’ The note came home from school, here in Conamara. Not an insurmountable problem. It’s a resourceful school and the staff are going to mix up the classes and deploy their own talents to keep the week going. In the past, the funding, mainly public, has been used to bring in artists, musicians and writers from outside.

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Arts Council Statement on Utne Award

“The Arts Council has sent its congratulations to Toner Quinn, Editor of The Journal of Music on winning the Utne Independent Press Award for arts coverage.

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