A review of my new book by Sherry Ladig in the Irish Arts Minnesota Newsletter

An Leabhragán/The Bookcase

What Ireland Can Teach the World About Music, and Other Essays
Toner Quinn (The Journal of Music, 2024)

This new book on Irish music has been a quarter of a century in the making. The fifty or so essays and articles are drawn from Toner Quinn’s work as editor of The Journal of Music in Ireland, first published in print form in 2000, now entirely online since 2010. Quinn saw that there was no real public discourse about music in Ireland; all Irish music, not just classical, jazz, traditional, or popular music. There have been separate forums for all of these. But where was the discussion about what it means to be an Irish musician of any kind in Ireland today? Toner Quinn saw a space for this discussion and created it. Twenty-four years later, the magazine has become a respected and valued place for musicians, composers, collaborators , organizers and listeners to discuss and inform on the topic of Irish music. Many subjects, some of them controversial, have come up: what, exactly, is trad music? How is its practice different from two or three generations ago? How do we value an art form which has been highly praised publicly, but underfunded and underpaid to those who create the music? What classical music is being created and performed in Ireland? How about jazz, collaborative works between classical and traditional artists, experimental music?

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Toner Quinn’s New Book Launched by Martin Hayes at the Irish Traditional Music Archive

See a news item from the Journal of Music on the launch of my new book below. The original is here.

A new book by Toner Quinn, What Ireland Can Teach the World About Music, has been launched by fiddle player Martin Hayes at the Irish Traditional Music Archive in Dublin.

A collection of writings on Irish music, the book contains more than fifty essays and articles drawn from Quinn’s work as Editor of the Journal of Music as well as a number of radio essays and public talks.

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Enough of the Facile Narratives: Gael Linn’s Crossroads

TG4 recently broadcast a new documentary marking 70 years of the Irish language and cultural organisation Gael Linn. Toner Quinn reviews.

This is a critical moment for Gael Linn and its relationship to traditional music. Despite its record label having a catalogue of over 300 recordings, plenty of them now classics, ten years ago Foras na Gaeilge designated the organisation’s future role as focusing on education. What then is going to happen to the label?

Gael Linn did not set out to be one of Ireland’s iconic record labels when it started out in 1953. The organisation was many things, all with the aim of revitalising the Irish language. It was when one of its founders, Riobard Mac Góráin, saw that more recordings of traditional music and song were needed for their sponsored Radio Éireann programme that they began issuing singles and albums. This initiative arrived at an extraordinary time. Seán Ó Riada and the folk revival were gathering momentum and Gael Linn was well positioned to meet demand. Their roster included everything from Ceoltóirí Chualann to Clannad. Mac Góráin ran that label for 43 years.

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What about England?

I am supporting England in the World Cup this summer. As an Irishman, that is easier to write than it will be to act upon. There is history, and the Irish are traditionally sensitive to the English imperiousness that tends to appear on football occasions. But I want to think about our two islands differently. England is our close, island-dwelling neighbour. In the new peacetime that has been created, can the Irish learn to love it? Sporting and cultural events may offer us that chance.

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Music That’s Good Value

What part have the values within Irish traditional music played in its ascent over the past forty years? How much of it has been about the music, and how much has been about the community? As the world turns on its side to get a better look at the way we’ve been living, economically and environmentally at least, it underlines how traditional Continue reading