What’s Next for Irish Music?

What does the recent trajectory of the arts in Ireland – from Arts Council funding increases to the Basic Income pilot – mean for musicians? How can we further strengthen music across Ireland? And what do these developments mean for the tradition of the Irish harp? This is an edited version of the Harp Ireland/Cruit Éireann Annual Lecture, given by Toner Quinn on 17 November 2024 at the Royal Irish Academy of Music.

It is now ten years since I submitted the Report on the Harping Tradition in Ireland to the Arts Council in October 2014. Commissioned by the Council, it was a 96-page report with 14 recommendations for the future of the instrument in Ireland.

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30 Years of Questions in One Hour: An Interview with Martin Hayes

A recording of a public interview with fiddle player Martin Hayes, conducted by Journal of Music editor Toner Quinn at Fleadh Cheoil na hÉireann 2024.

It is just over thirty years since I paused on my way out of J. McNeill’s music shop on Capel Street in Dublin to look at the tapes for sale. They were held in a tall, slender wooden case by the door with the most recent at the top. This is where I first came across Kíla’s Handel’s Fantasy as well as the re-release of Kevin Burke’s Sweeney’s Dream. On this day there was just one tape on the top shelf. The cover seemed purposefully blurred to represent motion and presented a musician standing holding the fiddle with the bow hanging from one finger. New tapes were not cheap for a student, but somehow I had precisely the right amount of money. On impulse, having never heard the name of the musician before, I bought it and jumped on the bus to Waterford.

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