Dolores Keane: Songs About Where We Come From

First published on The Journal of Music in Ireland on 18 March 2026.

I wasn’t there at the Gradam Ceoil TG4 awards that Easter Sunday evening at the National Concert Hall in 2022, when Dolores Keane sang ‘Caledonia’, but I watched it on television. I remember standing in my sitting room as she took the song at a slightly slower pace, standing at a podium with her Gradam Saoil award beside her. Dougie MacLean’s ‘Caledonia’ was a song she had sung thousands of times since she recorded it in 1988, but this felt different. There was a freedom and intimacy to the performance, like she was telling a story to friends. She looked at the crowd, pausing over lines like ‘I proved the points that I needed proving’, lifting out her arm to them when she sang ‘I think about you all the time’, keeping her eyes closed for just a little bit longer when she sang the line about losing friends and finding new ones. I don’t know if I was reading too much into her singing that night, but it was a performance I never forgot.

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30 Years of Questions in One Hour: An Interview with Martin Hayes

A recording of a public interview with fiddle player Martin Hayes, conducted by Journal of Music editor Toner Quinn at Fleadh Cheoil na hÉireann 2024.

It is just over thirty years since I paused on my way out of J. McNeill’s music shop on Capel Street in Dublin to look at the tapes for sale. They were held in a tall, slender wooden case by the door with the most recent at the top. This is where I first came across Kíla’s Handel’s Fantasy as well as the re-release of Kevin Burke’s Sweeney’s Dream. On this day there was just one tape on the top shelf. The cover seemed purposefully blurred to represent motion and presented a musician standing holding the fiddle with the bow hanging from one finger. New tapes were not cheap for a student, but somehow I had precisely the right amount of money. On impulse, having never heard the name of the musician before, I bought it and jumped on the bus to Waterford.

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