The search for a sustainable business model for the producing and selling of music in the digital age persists, but it is crippled by a narrow view of the internet. Presenting this technology as either a threat to income, due to its ability to copy content easily, or an opportunity for generating income, due to its instant connectivity to so many, means other key aspects of its influence on the business of money are neglected.
Cannes – The teenagers employed to demonstrate the joys of Rockband – complete with full stage, bass and lead guitars, mics and kit – must have been wondering why the game was suddenly becoming such hard work. Situated by the café area at Midem – the annual music fair that has attracted artists, labels, music publishers and managers from all over the world since 1967 – surely some of them would take take time out from intense meetings to knock out ‘Message in a Bottle’ or ‘When I’m Sixty-Four’. The Journal of Music spotted the occasional enthusiastic Continue reading
For nine years, I have been poised as a magazine publisher, ready to leap into the virtual world entirely. From about 2006, I was expecting it every month. It has yet to happen. Earlier this year I witnessed another magazine, not unlike ours – one that I regularly flicked through – go online and I stopped reading it entirely. No one will find Continue reading